{"id":9445,"date":"2024-10-18T08:42:44","date_gmt":"2024-10-18T06:42:44","guid":{"rendered":"https:\/\/palazzostrozzi.org\/evento\/festival-dei-popoli-2024\/"},"modified":"2026-01-29T15:06:37","modified_gmt":"2026-01-29T14:06:37","slug":"festival-dei-popoli-2024","status":"publish","type":"evento","link":"https:\/\/www.palazzostrozzi.org\/en\/events\/festival-dei-popoli-2024\/","title":{"rendered":"Festival dei Popoli 2024"},"content":{"rendered":"\n\n<section data-block-id=\"block_2691300906fce4d17965e7fcc59466c0\" class=\"two-columns\" id=\"schedule\" data-chapter=\"Schedule\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3\">\n                            <h3>Schedule<\/h3>\n                                                <\/div>\n            <div class=\"col-lg-6 offset-lg-1\">\n                <div class=\"acf-innerblocks-container\">\n\n<h4 class=\"wp-block-heading\"><em>Against Reality<\/em> | Talk<\/h4>\n\n\n\n<p><strong>Tuesday 5 November 2024, 15.00<br>Strozzina, conference room<\/strong><br>Free access subject to availability<\/p>\n\n\n\n<p>Notoriously provocative, the Catalan filmmaker claims that documentary cinema is for directors who lack imagination (sic) but he just won the main prize in San Sebastian\u2019s festival with a plain documentary like Afternoons of Solitude and his work is rooted in a close, constant dialogue with the concrete physicality of spaces and bodies and in a peculiar relationship between camera and filmed locations, director and cast. Taking this as a point of departure, the conversation will focus on how pursuing an alienating effortlessness plays a major role in his filmmaking, thus dissolving the preconception that sees documentary and fiction at opposite ends.<\/p>\n\n\n\n<p>Talk hosted by Alessandro Stellino, artistic director of Festival dei Popoli<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em><strong>The Names Of Christ<\/strong><\/em> | Screening<\/h4>\n\n\n\n<p><strong>Tuesday 5 November 2024, 16.00<br>Strozzina<\/strong><br>Free access subject to availability<\/p>\n\n\n\n<p>A fourteen-part series made for the Barcelona museum of contemporary art based on the play with the same title that Fray Luis de Leon wrote in 1586 while the Inquisition was in full swing. In as many chapters as were the stations of Christ\u2019s martyrdom, the series deals with the difficulties in financing a so-called \u201cartist\u2019s film\u201d and related themes, such as the relationship of artist and client, the way the audience dwells in the museum spaces, and the relationship between exhibition and exhibit. Putting himself at stake \u2013 and on stage \u2013 Albert Serra conducts a pungent satire on the art world and an ironic, layered reflection on filmmaking in which dialogues between several figures alternate with film clips of the late Hollywood Golden Age (Cecil B. DeMille, Raoul Walsh, King Vidor), theology, satire, poetic research, and reflection on form. An open form that says a lot on the cultivated, iconoclastic spirit of the Catalan filmmaker and on his faith in the freedom of the creative act.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Lord Worked Wonders In Me<\/em> | Screening<\/h4>\n\n\n\n<p><strong>Wednesday 6 November 2024, 17.00<br>Strozzina<\/strong><br>Free access subject to availability<\/p>\n\n\n\n<p>A portion of the crew of Albert Serra\u2019s <em>Quixotic\/Honor de Cavalleria<\/em>, inspired by Cervantes\u2019 masterpiece, goes to La Mancha to see the actual setting of Don Quixote\u2019s actions for the sake of a new film. When they realize those landscapes have disappeared, they begin filming inside the hotel and on board the van with which they travel, making a film that records daily situations and little gestures of intimacy: people who relax between a take and the next, discuss, eat, drink, bathe in the river, and wait the film director in a barren, sun-beaten landscape. As part of a project for the Barcelona Centre of Contemporary Culture, in which Serra and Lisandro Alonso agree to exchange film letters discussing their previous works, the Spanish director makes a film in a film, a reflection on \u2013 his, but not exclusively \u2013 cinema, time, and the way in which this is shared on set, outlining an affectionate portrait of his entourage.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Albert Serra<\/h4>\n\n\n\n<p>The Catalan film director, a Cannes darling who conquered the Pardo d\u2019Oro in Locarno in 2013 and the Concha de Oro at the latest San Sebastian Film Festival, has been pursuing a personal stylistic research which, over the past few years, has imposed him as a brilliant interpreter of modernity, developing the germs of classical tradition to conceive new possibilities for the future of cinema.<\/p>\n\n\n\n<p>A cultured aesthete with flair, known for his provocative statements, Serra is comfortable in various productive situations. Each time he reinvents his artistic gesture with an enviable picaresque approach, bewildering with each new film, experimenting with form, and conducting a reflection through images that has always embraced history, philosophy, art history, literary mythologies, and rituality of the present with a view to new horizons.<\/p>\n\n\n\n<p>Cover: Albert Serra, \u00a9 \u00d3scar Fern\u00e1ndez Orengo<\/p>\n\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":9256,"template":"","meta":{"_acf_changed":false,"footnotes":""},"area-esposizione":[],"location":[],"pubblico":[29],"tipologia":[30],"class_list":["post-9445","evento","type-evento","status-publish","has-post-thumbnail","hentry","pubblico-adults","tipologia-special-event"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Festival dei Popoli 2024 &#8211; 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