{"id":8675,"date":"2023-06-14T12:09:58","date_gmt":"2023-06-14T10:09:58","guid":{"rendered":"https:\/\/palazzostrozzi.org\/mostra\/anish-kapoor\/"},"modified":"2026-02-21T16:12:42","modified_gmt":"2026-02-21T15:12:42","slug":"anish-kapoor","status":"publish","type":"mostra","link":"https:\/\/www.palazzostrozzi.org\/en\/exhibition\/anish-kapoor\/","title":{"rendered":"Anish Kapoor"},"content":{"rendered":"\n\n<section data-block-id=\"block_fbaa991cbe7ee4313e03de730840f303\" class=\"two-columns block-gallery bg-lg-gray overflow-hidden p-0\" id=\"galleria\" data-chapter=\"Photo gallery\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3 d-none d-lg-block\">\n                <h3>Fotogallery<\/h3>\n                <div class=\"swiper-toolbar\">\n                    <div class=\"swiper-button-prev swiper-button-prev-block_fbaa991cbe7ee4313e03de730840f303\"><\/div>\n                    <div class=\"swiper-button-next 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<\/div>\n<\/section>\n\n\n\n\n\n\n<section data-block-id=\"block_c2171916ab242f3251d40c00e9aaa2f1\" class=\"two-columns\" id=\"the-exhibition\" data-chapter=\"The exhibition\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3\">\n                            <h3>Exhibition walkthrough<\/h3>\n                                                <\/div>\n            <div class=\"col-lg-6 offset-lg-1\">\n                <div class=\"acf-innerblocks-container\">\n\n<p><em>Anish Kapoor. Untrue Unreal<\/em>\u00a0unfolds across the Renaissance courtyard and the Piano Nobile galleries of\u00a0Palazzo Strozzi, tracing a path through Kapoor&#8217;s diverse practice that challenges notions of form and formlessness, fiction and reality.\u200b<\/p>\n\n\n\n<p><strong>In the courtyard<\/strong>,\u00a0<em>Void Pavilion VII<\/em> (2023), created with support from the\u00a0<em>Hillary Merkus Recordati Foundation<\/em>, greets visitors with three vast rectangular voids that invite meditative immersion in space, perspective, and time, disrupting the building&#8217;s rational geometry.\u200b<\/p>\n\n\n\n<p>On the <strong>Piano Nobile<\/strong>, the exhibition opens with\u00a0<em>Svayambhu<\/em> (2007), a massive block of red wax that slowly traverses rooms, shaping its formless matter against the architecture, in dialogue with\u00a0<em>Endless Column<\/em> (1992)\u2014a nod to Br\u00e2ncu\u0219i\u2014and\u00a0<em>To Reflect an Intimate Part of the Red<\/em> (1981), fragile pigment forms emerging ethereally from the floor.\u200b<\/p>\n\n\n\n<p><em>Non-Object Black<\/em> (2015)\u00a0employs\u00a0<em>Vantablack<\/em>\u00a0to absorb over 99.9% of visible light, dissolving objecthood itself, echoed in\u00a0<em>Gathering Clouds<\/em> (2014)&#8217;s brooding, space-devouring concavities that provoke reflections on immateriality and perception.\u200b<\/p>\n\n\n\n<p>A dedicated room explores flesh, body, and entropy through works like\u00a0<em>A Blackish Fluid Excavation<\/em> (2018)\u2014a twisted uterine void in steel and resin\u2014and silicone paintings such as\u00a0<em>First Milk<\/em> (2015),\u00a0<em>Tongue Memory<\/em> (2016),\u00a0<em>Today You Will Be in Paradise<\/em> (2016), and\u00a0<em>Three Days of Mourning<\/em> (2016), evoking pulsating viscera and tactile transformation.\u200b<\/p>\n\n\n\n<p>Mirrored sculptures\u00a0<em>Vertigo<\/em> (2006),\u00a0<em>Mirror<\/em> (2018), and\u00a0<em>Newborn<\/em> (2019)\u00a0blur subject-object boundaries, distorting space into illusionary realms that defy physics and draw viewers into destabilizing infinity.\u200b<\/p>\n\n\n\n<p>The path concludes with\u00a0<em>Angel<\/em> (1990): slate slabs coated in intense Prussian blue pigment, heavy yet sky-like, embodying the alchemical fusion of opposites\u2014material solidity and ethereal mystery.\u200b<\/p>\n\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n\n\n\n<section data-block-id=\"block_2a0ebf745ca66723d3714c0f9cbb59e8\" class=\"two-columns\" id=\"the-artist\" data-chapter=\"The artist\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3\">\n                            <h3>Anish Kapoor<\/h3>\n                                        <p>Mumbai, 1954<\/p>\n                                    <\/div>\n            <div class=\"col-lg-6 offset-lg-1\">\n                <div class=\"acf-innerblocks-container\">\n\n<p>Born in Mumbai, India in 1954, <a href=\"https:\/\/anishkapoor.com\/\">Anish Kapoor<\/a> has lived and worked in London since studying sculpture at Hornsey College of Art and Chelsea College of Art in the mid-seventies. More recently dividing his time between studios in London and Venice.<\/p>\n\n\n\n<p>His works are permanently exhibited in the most important collections and museums around the world from the Museum of Modern Art in New York to the Tate in London; the Prada Foundation in Milan and the Guggenheim Museums in Venice, Bilbao and Abu Dhabi. Recent solo exhibitions have been held at Galleria dell\u2019Accademia di Venezia &amp; Palazzo Manfrin, Venice, Italy (2022); Modern Art Oxford, UK (2021); Houghton Hall, Norfolk, UK (2020); Pinakothek der Moderne, Munich, Germany (2020); Central Academy of Fine Arts Museum and Imperial Ancestral Tempie, Beijing (2019); Fundaci\u00f3n Proa, Buenos Aires (2019); Serralves, Museu de Arte Contemporanea, Porto, Portugal (2018); University Museum of&nbsp; Contemporary Art (MUAC), Mexico City (2016); Chateau de Versailles, France (2015); Jewish Museum and Tolerance Center, Moscow, (2015); Gropius Bau, Berlin (2013); Sakip Sabanci Muzesi, Istanbul (2013); Museum of Contemporary Art, Sydney (2012).<\/p>\n\n\n\n<p>Anish Kapoor represented Great Britain at the 44th Venice Biennale in 1990 where he was awarded the Premio Duemila Prize. In 1991 he won the Turner Prize and has gone on to receive numerous international awards and honours.<\/p>\n\n\n\n<p>Also renowned for his architecturally scaled works, public projects include: Cloud Gate (2004), Millennium Park, Chicago, USA; Leviathan (2011) exhibited at Monumenta, Paris, France; Orbit (2012), Oueen Elizabeth Olympic Park, London; Ark Nova, an inflatable concert hall created for Lucerne Festival, Japan (2013); Descension (2014) most recently installed in Brooklyn Bridge Park, New York, USA (2017) and the soon to be completed Traiano and Universit\u00e1 Monte St Angelo Metro Stations, Naples, Italy (2002\u20132023).<\/p>\n\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n\n\n\n<section data-block-id=\"block_ff8b38e4439adf9e1ebfb231ac93bf4f\" class=\"two-columns\" id=\"\" data-chapter=\"\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3\">\n                                                <\/div>\n            <div class=\"col-lg-6 offset-lg-1\">\n                <div class=\"acf-innerblocks-container\">\n\n<p>The exhibition <em>Anish Kapoor. Untrue Unreal<\/em> is promoted and organized by Fondazione Palazzo Strozzi.<\/p>\n\n\n\n<p>Main Supporter: Fondazione CR Firenze.<br>Main Partner: Intesa Sanpaolo.<br>Supporters: Comune di Firenze, Regione Toscana, Camera di Commercio di Firenze, Comitato dei Partner di Palazzo Strozzi.<\/p>\n\n\n\n<p>With the contribution of Citt\u00e0 Metropolitana di Firenze.<\/p>\n\n\n\n<p>With the support of Maria Manetti Shrem and Fondazione Hillary Merkus Recordati.<\/p>\n\n\n\n<p>Thanks to Galleria Continua.<\/p>\n\n\n\n<p>The exhibition is part of the\u00a0<em><a href=\"https:\/\/www.comune.fi.it\/florence-art-week-2023\">Florence Art Week<\/a><\/em>, an initiative promoted by the City of Florence and scheduled from 28 September to 8 October 2023.<\/p>\n\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n\n\n\n<section data-block-id=\"block_ff8b38e4439adf9e1ebfb231ac93bf4f\" class=\"two-columns\" id=\"\" data-chapter=\"\">\n    <div class=\"container\">\n        <div class=\"row gx-0\">\n            <div class=\"col-lg-3\">\n                                                <\/div>\n            <div class=\"col-lg-6 offset-lg-1\">\n                <div class=\"acf-innerblocks-container\">\n\n<p class=\"has-small-font-size\">Cover: Anish\u00a0Kapoor,\u00a0<em>Svayambhu<\/em>,\u00a02007\u00a0Photo: Dave Morgan.\u00a0\u00a9 Anish Kapoor. All rights reserved SIAE, 2023<\/p>\n\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":7023,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"area-esposizione":[56,53],"location":[],"class_list":["post-8675","mostra","type-mostra","status-publish","has-post-thumbnail","hentry","area-esposizione-cortile","area-esposizione-piano-nobile"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anish Kapoor &#8211; Fondazione Palazzo Strozzi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.palazzostrozzi.org\/en\/exhibition\/anish-kapoor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anish Kapoor &#8211; 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